Copy a Note but change the Pitch

Copy a Note but adjust just its Pitch according to a function.

Adjust the accidental either toward flats or toward sharps, within the Accid enum. If the accidental is unset we just return the original pitch. We are treating all accidental shifts as musica ficta and giving a Suggested accidType.

Lower a pitch a semitone

Raise a pitch a semitone

Copy pitch but change accid and accidType

Change the Accid of the Pitch within a Note

Cancel an accidental (suggested)

Cancel the Pitch within a Note.

Make accidType Suggested

Make accidType Written

Do something to the Notes in every MusicPhrase within a MusicSection

Copy a MusicPhrase but with new notes

Do something to the Note list in a MusicPhrase

Fold a ficta-adjusting function over a MusicSection

Fold a ficta-adjusting function over a MusicPhrase

Generate a stack folding function to process a list

Map a function to the phrases in one section (upper voice) relative to the phrases in another section (lower voice).

Compare two MusicPhrases and find the note in the one (lower) voice that coincides rhythmically with a given note in the other (upper) voice. Used to find harmonies and test them for bad intervals.

We find the top note by index and add the durations up to that point, then we add the durations in the bottom voice up to each item (that is, a scan) and then stop at the first item that matches the elapsed duration of the top voice.

What is the elapsed time of a Dur in units where Fs (fusa) = 1?

Apply ficta adjustments to whole MusicPhrases. Adjust bass voice first; then adjust the upper voices individually, then adjust them again relative to the bass.

TODO nowhere do we deal with toneB (needed in s2/p4 for every 3rd and 4th line)

Adjust musica ficta for all the notes for one voice in a 'MusicSection.'

These rules are based on Kircher but had to be expanded as he doesn't account for some important and common cases.

TODO they still don't deal with every problem. Some would be automatically corrected by competent performers.

fix "illicit intervals" in the bass (p. 71)

#^7: (p. 69-70) - If the tone table has 8, keep the sharp - If it has #^7 and it is the last note in the phrase, and it is not the bass voice, keep the sharp - Otherwise make it natural

b^6: - If the tone table has b^6, cancel the flat if the next note is #^7

After making either of the above adjustments, go through and check for repeated notes: make them match the next accidental (G♮-G# should be G).

Pitch class of Note

Accid of Note

Test pitch class and accidental of Note

Adjust musica ficta in an upper voice relative to the bass. Avoid cross relations, augmented fifths, and certain tritones. (TODO which tritones?)

Adjust the Notes in a MusicSection relative to the voice above: avoid cross-relations between upper voices; where voices disagree, favor the upper voice.

Return the 0-indexed scale degree of a given pitch in a given tone (scale degree 0 is the modal final)

1-indexed scale degree (more intelligible to the musical programmer)

Does this Pitch have the given accidental as Suggested?

Apply isFictaAccid to a Note

Are these pitches the same pitch class but different accidentals? (E.g., F vs F#?)

Are these pitches an augmented fifth apart?

Is this a tritone (diminished fifth or augmented fourth?)

Is the interval between these Notes a tritone?